{"id":583569,"date":"2024-07-22T00:00:01","date_gmt":"2024-07-21T22:00:01","guid":{"rendered":"https:\/\/yoyaku.io\/release\/d_julz_the_school_of_night_ep_bcr072\/"},"modified":"2026-07-07T18:07:55","modified_gmt":"2026-07-07T16:07:55","slug":"d-julz-the-school-of-night-ep-bcr072","status":"publish","type":"product","link":"https:\/\/yoyaku.io\/fr\/release\/d-julz-the-school-of-night-ep-bcr072\/","title":{"rendered":"L'\u00e9cole de la nuit EP"},"content":{"rendered":"<div class=\"page\" title=\"Page 1\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>First up in D\u2019Julz\u2019s \u2018The School of Night\u2019 EP on his Bass Culture label is &#8216;Nu Bass&#8217;, a fresh and upbeat house sound with kinetic percussion and well-swung drums. Steamy vocal coos and deft synth stabs build a compelling future vibe before &#8216;Spooky Electrik&#8217; comes in with more punchy but deep house sound. Dancing hi-hats pepper the groove along with curious little synth motifs, bringing a cosmic feel while the all-important bassline powers things forward. D&#8217;Julz&#8217;s knack for cooking up killer grooves is evident again on &#8216;Money, Honey, Monday?&#8217; which is jacked up and percussive but also hugely seductive, with the smeared vocals and warming pads keeping things classy and soulful. Last of all, &#8216;Triperie&#8217; is more menacing and stripped back &#8211; a paranoid lead synth roams about the mix as the crisp drums rise and fall in a fashion that will get floors marching late into the night.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>Happy to welcome a new D&#8217;Julz release from Bass Culture family !<\/p>","protected":false},"excerpt":{"rendered":"<div class=\"page\" title=\"Page 1\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>First up in D\u2019Julz\u2019s \u2018The School of Night\u2019 EP on his Bass Culture label is &#8216;Nu Bass&#8217;, a fresh and upbeat house sound with kinetic percussion and well-swung drums. Steamy vocal coos and deft synth stabs build a compelling future vibe before &#8216;Spooky Electrik&#8217; comes in with more punchy but deep house sound. Dancing hi-hats pepper the groove along with curious little synth motifs, bringing a cosmic feel while the all-important bassline powers things forward. D&#8217;Julz&#8217;s knack for cooking up killer grooves is evident again on &#8216;Money, Honey, Monday?&#8217; which is jacked up and percussive but also hugely seductive, with the smeared vocals and warming pads keeping things classy and soulful. 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