{"id":566847,"date":"2024-01-22T00:00:01","date_gmt":"2024-01-21T23:00:01","guid":{"rendered":"https:\/\/yoyaku.io\/release\/gost021\/"},"modified":"2026-04-13T15:17:35","modified_gmt":"2026-04-13T13:17:35","slug":"gost021","status":"publish","type":"product","link":"https:\/\/yoyaku.io\/es\/release\/gost021\/","title":{"rendered":"Odinocow"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p>First rising to global acclaim in the latter half of the dubstep era with &#8216;Ruins Tape&#8217;, veteran St. Petersburg producer Nocow has fluidly moved across styles in the years since. Moving in a new direction from 2017s &#8216;Ledyanoy Album&#8217;, which saw the producer channel 90s ambient techno\/IDM for GOST ZVUK, these 17 new tracks, and collaborations for the label instead hone in on a vocal-heavy type of ghostly R&#038;B. As an album, Odinocow carries hints of trance, house and polished electronica (&#8216;Blizhe&#8217;) as well as raw broken beat hybrids (&#8216;Dengi Ne Sgorayut&#8217;), though the primary unifying factor is the voice.<\/p>\n<p>The heavy use of autotune, downtempo arrangements and wistful, machine-distorted human emotion are referenced in the album&#8217;s title, which translates roughly to lonely Nocow. Whilst past albums have oscillated between steady dance structures and more wildly experimental arrangements, there is a recurring theme of simplicity at play here. Nocow aims to craft memorable songs by harmonising over contrasting ambient soundscapes, from glacial to warm, through to trap\/rnb and 4&#215;4 dance-pop.<\/p>\n<p>With such an emphasis on exploring his voice and his songwriting craft, Nocow injects a new level of soul and integrity to his already well-established productions. Odinocow is a departure from his past work in some ways, though is also an example of a musician striving to reflect their truest vision of the self. &#8220;By finding yourself, you become able to love yourself, and, as a result, the world. 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