Civilistj\u00e4vel! returns with \u00bbBr\u00f6df\u00f6da\u00ab, the successor to 2022\u2019s \u00bbJ\u00e4rnn\u00e4tter\u00ab and his fourth release for FELT. The record features collaborations with Laila Sakini, Mayssa Jallad, Thommy Wahlstr\u00f6m, ELDON, and Withdrawn. Tomas Bod\u00e9n is a revered figure of the aural murk, known primarily for his work as Civilistj\u00e4vel. It\u2019s an alias that has spawned a catalogue of self-released peculiarities, featuring music that scorns traditional form, instead opting for unfussed symphonies of ice-hued minimalism; soft murmurs that emanate from his studio in the High Coast of Sweden. On \u00bbBr\u00f6df\u00f6da\u00ab, his latest album for Fergus Jones\u2019s FELT imprint, subtle new developments in mood prevail. Across its 75 minutes, Civilistj\u00e4vel! unveils a breadth of emotions that on previous releases seemed distant. He also invites collaborators on record for the first time: Beirut-based singer Mayssa Jallad mournfully croons on \u00bbIV\u00ab, \u00bbVIII\u00ab hosts Coldlight\u2019s ELDON & Withdrawn for an abstracted session of dub-hop murk, Laila Sakini offers a hallucinogenic monologue amidst melodica, sticks & bells playing on \u00bbIX\u00ab and Thommy Wahlstr\u00f6m floats scant acid dub stylings on \u00bbVI\u00ab. These additions and developments bring a forlorn intimacy to the music, and suggest an ambition that few artists of his ilk strive for. FELT\u2019s (un)reliable cast of audio ghouls routinely summon the odd, with Civilistj\u00e4vel! often its primary culprit; \u00bbBr\u00f6df\u00f6da\u00ab gently modifies this path to pursue some of his and the label\u2019s most quaintly beautiful music yet.<\/p>","protected":false},"excerpt":{"rendered":"
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