{"id":744482,"date":"2026-07-16T00:00:01","date_gmt":"2026-07-15T22:00:01","guid":{"rendered":"https:\/\/yoyaku.io\/release\/tim-paris-that-boy-remixes-feat-foremost-poets-playrjc134\/"},"modified":"2026-07-16T18:33:25","modified_gmt":"2026-07-16T16:33:25","slug":"tim-paris-that-boy-remixes-feat-foremost-poets-playrjc134","status":"publish","type":"product","link":"https:\/\/yoyaku.io\/de\/release\/tim-paris-that-boy-remixes-feat-foremost-poets-playrjc134\/","title":{"rendered":"That Boy Remixes feat. Foremost Poets"},"content":{"rendered":"<p>Incl. Remixes by Red Axes, Roman Fl\u00fcgel &amp; Abe Duque What does it mean to exist in sound? It does not begin with a beat, but with a choice. With the moment when someone decides not merely to inhabit the space, but to shape it \u2013 and in doing so, makes themselves visible. Roman Fl\u00fcgel stands as a constant in the background. Not as an authority, but as a collective consciousness. Since the 1990s, he has moved through club music like a seeker, never content with the first answer. House, techno, experimentation \u2013 these are not genres, but states of being. His remix thinks, hesitates, opens, strikes like a surging acid wave, warping reality and demanding true presence. New York taught him that club music is never neutral. It is body, friction, attitude. Abe Duque\u2019s remix carries a strangely enchanting relentlessness, a resistance to smoothness \u2013 as if the dancefloor were a place where freedom is not claimed, but fought for. Red Axes do not enter this space; they conjure it. Their sound is raw, repetitive, circular, as if deliberately refusing linearity. House, dub, and acid elements become material for a movement that is more trance than structure. Their remix does not ask where it is going; it asks why one should ever stand still. And then there is Tim Paris. Not at the center, but as a narrator. As someone who knows that the voice is an attitude. \u201cThat Boy\u201d is not a pose, but a mirror, ironic, direct, vulnerable. Paris moves between new wave house and club, always aware that identity is never fixed, but formed in the moment. This remix record is not a gathering of names. It is a situation, four perspectives on the same question: What does it mean to exist in sound? Yet sound alone does not tell the full story: like music, the visual is a space to be shaped, felt, and deciphered. The cover of Tim Paris feat. Foremost Poets \u2013 That Boy, created by Konstantin F\u00fcrchtegott Kipfm\u00fcller, a visual artist at the Hochschule f\u00fcr Gestaltung in Offenbach under Heiner Blum, embodies thi&#8230;<\/p>","protected":false},"excerpt":{"rendered":"<p>Incl. Remixes by Red Axes, Roman Fl\u00fcgel &amp; Abe Duque What does it mean to exist in sound? It does not begin with a beat, but with a choice. With the moment when someone decides not merely to inhabit the space, but to shape it \u2013 and in doing so, makes themselves visible. Roman Fl\u00fcgel stands as a constant in the background. Not as an authority, but as a collective consciousness. Since the 1990s, he has moved through club music like a seeker, never content with the first answer. House, techno, experimentation \u2013 these are not genres, but states of being. His remix thinks, hesitates, opens, strikes like a surging acid wave, warping reality and demanding true presence. New York taught him that club music is never neutral. It is body, friction, attitude. Abe Duque\u2019s remix carries a strangely enchanting relentlessness, a resistance to smoothness \u2013 as if the dancefloor were a place where freedom is not claimed, but fought for. Red Axes do not enter this space; they conjure it. Their sound is raw, repetitive, circular, as if deliberately refusing linearity. House, dub, and acid elements become material for a movement that is more trance than structure. Their remix does not ask where it is going; it asks why one should ever stand still. And then there is Tim Paris. Not at the center, but as a narrator. As someone who knows that the voice is an attitude. \u201cThat Boy\u201d is not a pose, but a mirror, ironic, direct, vulnerable. Paris moves between new wave house and club, always aware that identity is never fixed, but formed in the moment. This remix record is not a gathering of names. It is a situation, four perspectives on the same question: What does it mean to exist in sound? Yet sound alone does not tell the full story: like music, the visual is a space to be shaped, felt, and deciphered. The cover of Tim Paris feat. Foremost Poets \u2013 That Boy, created by Konstantin F\u00fcrchtegott Kipfm\u00fcller, a visual artist at the Hochschule f\u00fcr Gestaltung in Offenbach under Heiner Blum, embodies thi&#8230;<\/p>","protected":false},"featured_media":744485,"template":"","meta":{"ghostkit_customizer_options":"","ghostkit_custom_css":"","ghostkit_custom_js_head":"","ghostkit_custom_js_foot":"","ghostkit_typography":""},"product_brand":[],"product_cat":[12538],"product_tag":[39645,38716],"giftcard-category":[],"musicartist":[33016],"musiclabel":[5244],"musicstyle":[37884,37955,38006],"distributormusic":[10865],"musicyear":[],"musiccountry":[],"weekmusic":[40994],"class_list":{"0":"post-744482","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-arrivals","7":"product_tag-dkay","8":"product_tag-supply","9":"musicartist-tim-paris","10":"musiclabel-live-at-robert-johnson","11":"musicstyle-acid","12":"musicstyle-house","13":"musicstyle-progressive-house","14":"distributormusic-kompakt","15":"weekmusic-40994","17":"first","18":"instock","19":"taxable","20":"shipping-taxable","21":"purchasable","22":"product-type-simple"},"_links":{"self":[{"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/product\/744482","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/media\/744485"}],"wp:attachment":[{"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/media?parent=744482"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/product_brand?post=744482"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/product_cat?post=744482"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/product_tag?post=744482"},{"taxonomy":"giftcard-category","embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/giftcard-category?post=744482"},{"taxonomy":"musicartist","embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/musicartist?post=744482"},{"taxonomy":"musiclabel","embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/musiclabel?post=744482"},{"taxonomy":"musicstyle","embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/musicstyle?post=744482"},{"taxonomy":"distributormusic","embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/distributormusic?post=744482"},{"taxonomy":"musicyear","embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/musicyear?post=744482"},{"taxonomy":"musiccountry","embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/musiccountry?post=744482"},{"taxonomy":"weekmusic","embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/weekmusic?post=744482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}