{"id":728870,"date":"2026-03-23T11:35:30","date_gmt":"2026-03-23T10:35:30","guid":{"rendered":"https:\/\/yoyaku.io\/release\/passarani-analog-fingerprints-vol-0-2x12-nmbrs86\/"},"modified":"2026-03-23T11:37:39","modified_gmt":"2026-03-23T10:37:39","slug":"passarani-analog-fingerprints-vol-0-2x12-nmbrs86","status":"publish","type":"product","link":"https:\/\/yoyaku.io\/de\/release\/passarani-analog-fingerprints-vol-0-2x12-nmbrs86\/","title":{"rendered":"Analog Fingerprints Vol. 0 (2&#215;12&#8243;)"},"content":{"rendered":"<p>Analog Fingerprints Vol. 0 is a compilation bringing together the early 2000s works of Marco Passarani under his Analog Fingerprints alias, collecting key tracks originally released on Rome\u2019s Plasmek and Pigna labels. For Numbers, the story starts long before the label itself. In their formative years, digging in Glasgow\u2019s Rubadub, Passarani\u2019s records felt like dispatches from a future city. Releases on his own Nature Records and on labels such as Generator and Interr-Ference Communications were mind blowing: rooted in Detroit techno, Chicago house and electro, yet pushing somewhere new. Much like fellow travellers Autechre, who would remix him in 2001, Passarani\u2019s music balanced machine funk with restless experimentation. Information was scarce, and you would hear these records first on the dancefloor or at listening stations in shops like Rubadub. Print fanzines like Ear and early web outposts such as Forcefield offered only fragments. But there was a palpable axis forming between Detroit techno and a new European wave of record labels including Skam, Rephlex, Clone, Viewlexx and Nature itself. It was the sound that defined Saturday nights at Rubadub\u2019s \u201869\u2019 parties in Paisley, just outside of Glasgow. Passarani\u2019s records, in particular, were instrumental in bringing together the future Numbers co-founders. Richard had already booked him pre-Numbers; meanwhile Calum (Spencer) and Jack (Jackmaster), then 16\/17 year olds working alternate Saturdays in Rubadub, were so enamoured with the Roman sound that they travelled to Rome for the Bitz Festival in 2003 to seek out Passarani and Lory D at their source. The first Analog Fingerprints release landed as a 12\u201d on Plasmek in 2001, following the fractured, IDM-leaning 6 Katun material. For Passarani, the project marked a recalibration. A DJ first and foremost, he had moved into production via early computer setups, from a Commodore Amiga through primitive PC audio, Cubase and Logic, later experimenting with Ableton. The I&#8230;<\/p>","protected":false},"excerpt":{"rendered":"<p>Analog Fingerprints Vol. 0 is a compilation bringing together the early 2000s works of Marco Passarani under his Analog Fingerprints alias, collecting key tracks originally released on Rome\u2019s Plasmek and Pigna labels. For Numbers, the story starts long before the label itself. In their formative years, digging in Glasgow\u2019s Rubadub, Passarani\u2019s records felt like dispatches from a future city. Releases on his own Nature Records and on labels such as Generator and Interr-Ference Communications were mind blowing: rooted in Detroit techno, Chicago house and electro, yet pushing somewhere new. Much like fellow travellers Autechre, who would remix him in 2001, Passarani\u2019s music balanced machine funk with restless experimentation. Information was scarce, and you would hear these records first on the dancefloor or at listening stations in shops like Rubadub. Print fanzines like Ear and early web outposts such as Forcefield offered only fragments. But there was a palpable axis forming between Detroit techno and a new European wave of record labels including Skam, Rephlex, Clone, Viewlexx and Nature itself. It was the sound that defined Saturday nights at Rubadub\u2019s \u201869\u2019 parties in Paisley, just outside of Glasgow. Passarani\u2019s records, in particular, were instrumental in bringing together the future Numbers co-founders. Richard had already booked him pre-Numbers; meanwhile Calum (Spencer) and Jack (Jackmaster), then 16\/17 year olds working alternate Saturdays in Rubadub, were so enamoured with the Roman sound that they travelled to Rome for the Bitz Festival in 2003 to seek out Passarani and Lory D at their source. The first Analog Fingerprints release landed as a 12\u201d on Plasmek in 2001, following the fractured, IDM-leaning 6 Katun material. For Passarani, the project marked a recalibration. A DJ first and foremost, he had moved into production via early computer setups, from a Commodore Amiga through primitive PC audio, Cubase and Logic, later experimenting with Ableton. The I&#8230;<\/p>","protected":false},"featured_media":732106,"template":"","meta":{"ghostkit_customizer_options":"","ghostkit_custom_css":"","ghostkit_custom_js_head":"","ghostkit_custom_js_foot":"","ghostkit_typography":""},"product_brand":[],"product_cat":[4044],"product_tag":[38694,31772,38716],"giftcard-category":[],"musicartist":[36261],"musiclabel":[25504],"musicstyle":[37904,37916,37931,37955,38021],"distributormusic":[38305],"musicyear":[],"musiccountry":[],"weekmusic":[39653],"class_list":{"0":"post-728870","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-forthcoming","7":"product_tag-b2b","8":"product_tag-imports","9":"product_tag-supply","10":"musicartist-passarani","11":"musiclabel-numbers","12":"musicstyle-chicago","13":"musicstyle-detroit","14":"musicstyle-electro","15":"musicstyle-house","16":"musicstyle-techno","17":"distributormusic-rubadub","18":"weekmusic-39653","20":"first","21":"outofstock","22":"taxable","23":"shipping-taxable","24":"purchasable","25":"product-type-simple"},"_links":{"self":[{"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/product\/728870","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/types\/product"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/media\/732106"}],"wp:attachment":[{"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/media?parent=728870"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/product_brand?post=728870"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/product_cat?post=728870"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/product_tag?post=728870"},{"taxonomy":"giftcard-category","embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/giftcard-category?post=728870"},{"taxonomy":"musicartist","embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/musicartist?post=728870"},{"taxonomy":"musiclabel","embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/musiclabel?post=728870"},{"taxonomy":"musicstyle","embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/musicstyle?post=728870"},{"taxonomy":"distributormusic","embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/distributormusic?post=728870"},{"taxonomy":"musicyear","embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/musicyear?post=728870"},{"taxonomy":"musiccountry","embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/musiccountry?post=728870"},{"taxonomy":"weekmusic","embeddable":true,"href":"https:\/\/yoyaku.io\/de\/wp-json\/wp\/v2\/weekmusic?post=728870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}