{"id":510583,"date":"2024-08-05T00:00:00","date_gmt":"2024-08-04T22:00:00","guid":{"rendered":"https:\/\/yoyaku.io\/?post_type=product&#038;p=510583"},"modified":"2026-03-16T11:01:16","modified_gmt":"2026-03-16T10:01:16","slug":"if1057lpx","status":"publish","type":"product","link":"https:\/\/yoyaku.io\/de\/release\/if1057lpx\/","title":{"rendered":"Zimmer mit Aussicht"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"<p>2&#215;12&#8243; Marbled Vinyl<\/p>\n<p>\u201eRoom With A View\u201c sees Rone returning to his musical roots and the set-up of his early albums: purely electronic, solitarily conceived without any musical collaborators. At the same time he was able to leave his comfort zone through a new kind of artistic liaison. The album was produced alongside a live show commissioned by the Th\u00e9\u00e2tre du Ch\u00e2telet in Paris and developed together with choreography collective (LA) HORDE and 20 dancers of the Ballet National de Marseille. This new kind of collaborative approach allowed Rone to produce his most sincere and far-reaching music in some time. Inspired by discussions of collapsologie and climate change, \u201eRoom With A View\u201c offers food for thought on how to deal with one of the most pressing issues of humanity.<\/p>\n<p>The Fenchman manages to let his trademark sound shine in a new light, pleasing early fans as well as every electronica enthusiast. Typically melodic beats like \u201eGinkgo Biloba\u201c nestle against tracks that exhibit classic influences from Boards of Canada (\u201eLa Marbrerie\u201c) to SAW-era Aphex Twin (\u201eRaverie\u201c), euphoric dancefloor rhythms sit next to contemplative synth work. Tracks like \u201eSophora Japonica\u201c showcase Rone\u2019s mastership in atmosphere, which sometimes requires no drums at all. Elsewhere, Rone is clearly reviving the club-centric vibe of \u201eTohu Bohu\u201c and experimenting with elements of dub. It all makes for and adventurous and rewarding listen.<\/p>\n<p>Most importantly, Rone is redefining the notion of \u201eorganic\u201c in electronic music through use of field and voice recordings. Be it his own child chattering, Aurelien Barrau or Alain Damasio debating, or the dance troupe rehearsing and discussing the show. &#8220;Because the writing process of the album was very machine focused, it seemed appropriate to feed back a human touch into the music and to still have bodies involved&#8221;. Thus \u201eEsperanza\u201c uses the steps of the dancers as a rhythm to start a new track, while in \u201eHuman\u201c they serve as a choir. 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