Ballet Robotique

Release 75. Reptant’s third. The reptilian overlord surfaces only once every 25 – right on the jubilee, without fail. Combining menace and kitsch the way only the Rotterdam greats do so effortlessly, he comes in smooth af on the opening cut. Mainframe-tapping machine funk, almost sounding like the Antipodean lovechild of Kraftwerk and Egyptian Lover. From there, laced with spite and insectoid detail. Noirish cybernetics delivered with genuine vigour, all across a triple-pronged strike of electro excellence. Properly aerodynamic. Not a tribute to a classic period – rather, a continuation of what the genre’s forebears built. A tried and tested formula that never loses bite, truly heralding Reptant as a standard bearer for electro in the modern era. The cold-blooded one, right on schedule.